In a business environment that closely resembles the last five minutes of a James Bond film, where the klaxons are blaring and guys in white jumpsuits are frantically running around and dying in explosions because Bond just set the reactor to overload... the absolute stupidest, most dangerous thing you can possibly do is just stand still. Act defensively. [...more]
The kids are all right. Despite my best efforts…
On Friday, I had five cohorts of students graduate from Annenberg-USC. Three graduate student cohorts (broken down into two cohorts that attended USC for two years, and one in the brand-new one-year accelerated Master’s program). One group of quirky, hardworking undergrads. And a summer school class of “Specialized Journalism” grad students.
USC-Annenberg class of 2015, right after the ceremonies ended – and reality started to sink in (at least for a few of them). The rest were ebullient, as evidenced by student Yingzhi Yang in the foreground, grinning and waving at me.
I had to start traveling at 4 a.m. in Sonoma County, to get to the graduation before all was over; but it was worth every second of sitting on runways and grinding my teeth while crammed into a coach seat (they get tinier every year, it seems). I got to see all my students, beaming and full of excitement, enthusiasm and hope. God knows we need those three emotional energy states in journalism these days.
Readings from “The Light on the Coast” My very first case study on best practices in journalism was about Dave Mitchell and the saga of the tiny Point Reyes Light. It was a multimedia piece – which, back in 2005, was a real Big Deal for the Online Journalism Review. I shot so many hours […] [...more]
Readings from “The Light on the Coast”
My very first case study on best practices in journalism was about Dave Mitchell and the saga of the tiny Point Reyes Light. It was a multimedia piece – which, back in 2005, was a real Big Deal for the Online Journalism Review. I shot so many hours of video of Dave explaining his philosophy for running a newspaper, that Dave said that “I don’t think I recognize you without a video camera in your hand pointed in my direction.”
David signing books in the offices of the Point Reyes Light.
A little over a week ago, I went back to visit Dave, to celebrate the publication of his book “The Light on the Coast,” a compilation of stories culled from decades of the Point Reyes Light. These are funny, touching, quirky – really, just about any other adjective you could ever apply to the complex little pocket of rural intellectualism that is West Marin.
Many of Dave’s former reporters, editors and photographers traveled long distances to make it to this party. You could tell there was a real kinship between all the people who had worked at the Light over the decades. Journalists reminisced with each other, and mingled with locals in the current offices of the Light, and next door at Vladimir’s restaurant, where we took over the back room.
The entire event was a testimony to the lasting effect that Dave has had on the lives of everyone in this community; how his dedication, hard work, gentle spirit and shaped the evolution of the little communities sprinkled up and down this beautiful coastline. Dave’s stubborn belief in the power and virtue of providing a a good, reliable forum for a community to have a conversation with itself, has meant that West Marin still has a “sense of place” that is sadly missing in so many other areas of the country, where big chain stores and soulless luxury hotels have taken over.
If you are a good journalist, and live your lift with integrity, decency, and caring about the community you work in … if you are really, really lucky … you will get a day like what Dave Mitchell got. You will get a day when your community and your former co-workers all turn out to tell you how much you meant to them. How much your life’s work has positively affected the place that you love so much.
Thought-provoking take in a Playboy interview of Gawker Media’s Nick Denton, one of the most-hated men on the internet. Also, one of the most successful. His premise may be a little self-serving, in light of his whole net worth being based on prying into people’s lives and then shaming the shit out of them on […] [...more]
His premise may be a little self-serving, in light of his whole net worth being based on prying into people’s lives and then shaming the shit out of them on his web properties. Then again, you might also legitimately say that his web properties are devoted to outing/shaming/calling B.S. on people because that’s the ethos he lives by.
PLAYBOY: You’re more willing than most people to organize your life according to principle and see how the experiment turns out.
Nick Denton, displaying some of the “let it all hang out” spirit. Photo credit: Village Voice Blogs
DENTON: You could argue that privacy has never really existed. Usually people’s friends or others in the village had a pretty good idea what was going on. You could look at this as the resurrection of or a return to the essential nature of human existence: We were surrounded by obvious scandal throughout most of human existence, when everybody knew everything. Then there was a brief period when people moved to the cities and social connections were frayed, and there was a brief period of sufficient anonymity to allow for transgressive behavior no one ever found out about. That brief era is now coming to an end.
PLAYBOY: That doesn’t jibe with your other theory about how we’ll judge one another more kindly when we have no privacy. Human history is not a history of tolerance for deviation from the norm.
DENTON: You don’t think there was a kind of peasant realism? You hear these stories about a small town, seemingly conservative, and actually there’s a surprising amount of tolerance. “So-and-so’s a good guy. Who cares if he’s a pig fucker? His wife brought a really lovely pie over when Mama was sick.”
I grew up in Small Town America in the 1970s. Tucked back into a musty corner of the Upper Midwest, rural Wisconsin pretty much ran along the lines that Denton is describing. You can’t live with a family for generations without pretty much knowing all about their business.
You’d know without asking what their opinion was on pretty much any matter of import without having to ask, because their opinions were shaped by their grandparents, their parents, their siblings, and their life experiences.
As were yours.
The idea that we are free to become who we say we are, to invent ourselves – that is a curiously American concept, and one that functions only in fairly large urban environments. Even there, if you become suitably prominent, all the locals will pretty much be all up in your bidness, as the Southerners say.
So in that light: does social media represent a phase in human evolution wherein we all voluntarily put ourselves back into that small-town pressure cooker, where everybody knows all they need to know about us all at a glance? And is that a good thing or a bad thing? Can we even stop it at this juncture – and if we did, would we really want to?
Because there is this thing about small towns: after a certain amount of time, it becomes next to impossible to really pull the wool over everyone’s eyes.
It’s like my career with the paparazzi taught me. Somebody talks.
Somebody ALWAYS talks.
In our modern media landscape, so littered with charlatans who take advantage of ignorance and misinformation to skin the rubes, maybe this kind of brutal enforced honesty is not the worst thing after all.
Here’s an example of a banner image, created for Storify. This example uses a variety of quickly-chosen and lightly edited images to fit the radically horizontal image space on Storify. Damn. Things are getting heavy. Journalists are being attacked by paid provocateurs: The pro-Russian government in Ukraine is using “titushki” — paid provocateurs hired to […] [...more]
Here’s an example of a banner image, created for Storify.
i chose these images based on … well, not much at all really. Just stuff that was foremost on my hard drive. Given more than 5 minutes, I could probably do better … but this is still more attractive than the blank space that is the default on Storify.
This example uses a variety of quickly-chosen and lightly edited images to fit the radically horizontal image space on Storify.
Damn. Things are getting heavy. Journalists are being attacked by paid provocateurs:
Journalists being beaten by thugs: Hromadske.TV’s Dmytro Gnap was stomped, his camera smashed, and the memory card stolen.
The pro-Russian government in Ukraine is using “titushki” — paid provocateurs hired to disrupt rallies and provoke police, according to the Kyiv Post.
These protesters are acting like morons, trying to make the protests look like they are violent and anarchic. They are helped along in this mission by some of the more casual protesters, who show up after having a few drinks, and seem to be mainly interested in the more festive aspects of the protest.
How journalists can build their own news/publishing business I was asked by my students if there were ways that they could publish their stories, videos and audios, without having to give up control to media companies that really aren’t all that interested in publishing new & interesting content from unknown authors. Well, not unless it […] [...more]
How journalists can build their own news/publishing business
I was asked by my students if there were ways that they could publish their stories, videos and audios, without having to give up control to media companies that really aren’t all that interested in publishing new & interesting content from unknown authors. Well, not unless it is given to them free, with no obligations to pay any residuals or royalties, and they have exclusive rights to publish and market that content in all media known or unknown, throughout the universe, until the end of time.
There are a bunch of companies that have sprung up that publish multimedia books – you’ll have to do some research to see which one would offer you the best deal for your project.
1. Vook – they started off just doing ebooks with video embedded. These were interesting as experiments, but really didn’t push the form very far. Now, they’ve started publishing to all the major platforms (rather than trying to establish themselves as an alternative to Amazon, with their own proprietary standards – a losing game, if ever there was one).
The first Vooks were like the first CD-ROMs. They had text on them with cutscenes of dubious quality. Usually made from literature that was in the public domain (i.e. free for some geek to hammer on without having to pay fees to the pesky creative writer-types).
…back from summer vacation, and leaping into the school year. Well, trying to leap, anyway. I mentioned this development in digital news to my journalism classes at Annenberg, and figured I might want to expand a bit more on it, and provide some links to related articles & research. First, forgive me if this is […] [...more]
…back from summer vacation, and leaping into the school year. Well, trying to leap, anyway.
I mentioned this development in digital news to my journalism classes at Annenberg, and figured I might want to expand a bit more on it, and provide some links to related articles & research.
(Google Data Center from Wallpaperstart.com)
First, forgive me if this is old news, but I haven’t heard much about this from the usual suspects; for some reason, there isn’t much notice being taken of this by publishers, or professional journalists.
The feature, which Google calls “In-Depth Articles,” offers up links to a set of three long-form articles, usually at the bottom of the search results page. The articles are usually detailed profiles and exposés on companies and their leadership. Companies and high-profile individuals should take notice of this development and understand that it presents a number of opportunities, as well as some perils.
No one but Google itself knows exactly how these articles are selected, but the search engine giant has described them as “thoughtful in-depth content” that “remains relevant long after its publication date.” This is a major coup for traditional long-form publications such as Rolling Stone, Vanity Fair,Fortune, The Atlantic, and The New Yorker, as well as new online-only media such as The Verge,SB Nation, and Slate.
The implications for businesses, prominent individuals, and the people in charge of maintaining the reputations thereof, are pretty significant, if not outright terrifying.
UPDATE: The first video below was erroneously a duplicate of video #3. I blame the shoddy connection I had – I am thrilled that the videos made it up to YouTube at all, frankly, and it took me an hour and several tried to get this post to publish, so I had some version-control issues. […] [...more]
UPDATE: The first video below was erroneously a duplicate of video #3. I blame the shoddy connection I had – I am thrilled that the videos made it up to YouTube at all, frankly, and it took me an hour and several tried to get this post to publish, so I had some version-control issues. Anyway, I’ve fixed it so that vid #1 is now the proper first part, in which we talk about the persistent power of radio.
The more I learn about how the media operates in East Africa, the more I think this is going to be a fascinating area to watch over the next few years. The conditions here are ripe for some really interesting changes – we are going to see in this microcosm what the effects are of empowering a population that is still stuck with only one-way information flow (largely via radio – please see video #1, below) to suddenly leapfrog into the ubiquitous mobile web-fueled connectivity that we see in places like Japan, Korea and (to an extent) China.
BACKGROUND: A couple of weeks ago, I had a meeting with the CEO of Fana Broadcasting. At that time, I was told that the plan was to install 4G mobile connectivity throughout the country. I have since learned that the contract looks like it is going to be awarded to a giant Chinese telecom company. This is not necessarily good news. The suspicion among the journalists is that the infrastructure contract has been given to the Chinese because they have pledged to include many of the down-and-dirty spyware and censorship features that are common to the internet behind the Great Firewall of China. Also: it is rumored that the Chinese outbid US and European companies for this huge contract, because the government of China is (illegally?) subsidizing the work, secretly funneling money under the table to the ostensibly private-sector telecom company, to allow it to do billions of dollars of work for 1/20th the price. Conspiracy theories abound here; in the absence of any hard facts or verification, people always assume the worst.
At any rate: the plan is to wire up all the major cities and towns with 4G wireless internet service. One of the big reasons expressed for that is that the Powers that Be have noticed that on just about every roof, you can see a satellite dish. Those dishes are bringing news, information and TV programs into households from TV providers outside of Ethiopia. They want to jump-start their own domestic news and entertainment industry, to start to produce high-quality content, to lure audience away from these international sources. Part of this is to foster a sense of national unity: to expose Ethiopians to news, movies and TV series that star Ethiopians, speaking Amharic, and referring to matters that are of concern to Ethiopians (and eventually, to citizens of the surrounding countries, none of which really has their own video/web content production infrastructure). Part of it is to start building up the kind of media-production capabilities that might allow Ethiopia to start exporting its culture to the international marketplace; from what I have seen here, there is certainly an opportunity for the kind of smart, dedicated artists here to start changing the international perception of this place, which is still stuck in the famine years.
Anyway, in the first part of the interviews I did with Samson Tesfaye, for his show “Movers and Shakers” on AfroFM, we talk about what things are like in the present day – where the vast majority of the rural populations in Ethiopia still rely on what they hear over the radio as their main (perhaps only) source of news and information.
The next part of the interview, we focus on the impact of social media in East Africa. At this time, Sami says that social media is not having the kind of disruptive effects we see in North Africa, where the Arab Spring is still very much alive and kicking, or to the south in Kenya, where the technology scene is vibrant and lively.
My students wanted to make sure to capture the conversation around the roundtable discussion we had on the subject of press freedom, so they set up the bagttered (but still serviceable) cameras outside the journalism department offices, and brought in all the accountrements of the formal coffee ceremony … the glowing coals in the brazier, […] [...more]
My students wanted to make sure to capture the conversation around the roundtable discussion we had on the subject of press freedom, so they set up the bagttered (but still serviceable) cameras outside the journalism department offices, and brought in all the accountrements of the formal coffee ceremony … the glowing coals in the brazier, the clouds of thick incense, and platters of roasted barley and chewy bread.
So far, everyone is still in a good mood....
It’s always difficult to figure out what the settings should be on a prosumer video camera, particularly when the opaque menus are written in a foreign language.